Jonathan Brightman or the ascent of an American singer? How hard have you find it to get Black Robot noticed and do you have any advice for young bands out there starting out in the industry? Jonathan Brightman: It’s very hard. It feels like carrying a load of boulders on your back uphill in the rain both ways!!! My advice to new bands: Be relentless. I was hoping to catch you in LA last year, but you weren’t playing a lot of dates. Will you be touring this year? Jonathan Brightman: We hope to at least hit some territories in Europe this summer. Touring in the U.S. has gotten really political. For example, bigger bands are now doing this thing called “buy ons”, which is basically charging their opening band to get added to the bill. It’s rotten.
Jonathan Brightman and Buckcherry: Josh Todd grew up in the Anaheim Hills neighborhood of Anaheim, California and later moved to Lake Forest, California. Early on, Todd fronted the Hollywood glam rock band Slamhound. He eventually met lead guitarist Keith Nelson through their tattoo artist (Kevin Quinn). The duo made a few demos before being joined by bassist Jonathan Brightman and drummer Devon Glenn, calling themselves Sparrow. Sparrow began performing around the Hollywood club scene, receiving a strong, local following due to their old school rock and roll vibe, and were signed to DreamWorks Records shortly after. The group changed its name to Buckcherry after receiving a cease-and-desist letter from a record label called Sparrow (owned by EMI). Although the band’s name is a spoonerism of the late Chuck Berry, the group said it was inspired by a drag queen acquaintance of theirs named Buck Cherry.
Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). Their debut album was released June 8, 2010 on Formosa Records/Rocket Science Ventures Brightman is a founding member of the Grammy nominated band Buckcherry, co-writing and performing on their self-titled debut album, as well as their follow up Time Bomb. After parting ways with Johns, it was announced in December 2011 that Los Angeles singer Jeremy Aric had joined the band. Soon after, they re-entered a Nashville, TN studio with producer Dave Cobb to record their second album titled Woman.
Your debut album came out in 2009 but I remember hearing ‘Badass’ in 2008, and this year you picked up a nod in Classic Rock’s album of the year. Does it feel like this is a new start?. Jonathan Brightman: Yes. We released an independent version of the record in 2008. We were basically selling them on ebay and online. Once we got larger distribution channels in place we’re finally getting some broader attention.
Over the past decade Brightman Music has been a top Producer Management firm based in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Discover even more details at Jonathan Brightman.
How long after the demise of Buckcherry did you begin working on new music? Jonathan “JB” Brightman: The way this happened…right after I left Buckcherry Huck (Johns, singer) was moving to Los Angeles. I had made friends with him and we just started writing. So we had written some songs, but there was no agenda to create a band. What Huck and I really intended to do was to have Yogi (former Buckcherry guitarist) and Devon (former Buckcherry drummer) in the band, but that didn’t really work out. I needed some time away from what would become Black Robot. When it came time, I called Yogi and Devon and said to them, “Let’s just go in the studio for two weeks and let’s make a record.” I didn’t have any expectations. I wanted to get in the studio, record, have a good time and if a great record came out of it then we’d release it. It was no pressure.