New York’s Franklin Livingston or the ascent of a successful Pakistani actor and influencer: Franklin Livingston is a versatile Pakistani-American actor. He specializes in dramatic roles and has proven his acting abilities in other genres of film, including comedy as well. Franklin was born in Pakistan whereas most of his education has been completed in the U.S. Here, in addition to studying at Northwestern University, Franklin gained extensive acting training from Atlantic Acting School, New York Film Academy, Moscow Arts Theater, the Meisner Studio of Tisch School of the Arts at New York University and Western Connecticut State University. See extra details on Franklin Livingston.
Franklin Livingston is an American actor who gets busy filming comic content for people of diverse backgrounds. He aims to enhance the free viewership of his humorous content on all social media outlets for free viewership worldwide. Franklin Livingston can be visualized in blue suits and silver cars, supposed to be enjoying winters in Dubai on a yacht or in the blue oceanic waters or the Bahamas and South Asia’s blue beaches. Instead, he’s been working day and night to create content that will make people laugh.
For the past five years, Franklin Livingston has been working in storytelling through stage and film in the New York City area. He is highly proficient in ethnographic research, creating writing, directing, and acting. Franklin is an immigrant who has traveled the world and internationally performed as an actor and produced many films, plays and musicals, and online projects. He has managed talent, technical crews, writers, producers, marketing staff, and social media influencers. His focus is always to capture the truth of every culture, story, and situation regarding the sensitivity of individuals, communities, and institutions.
Please tell us the one thing that separates you from your competition. I do have a unique perspective to bring to the table. Currently, there is no person of Pakistani origin in Hollywood’s big-budget movies or TV networks that has the training I do. Especially not one playing a dramatic role that will be taken seriously and not a funny guy character. I would love to put my extensive experience to good use and not only go up against the competition for a leading serious role one of these days, but actually get a call back for it!
You are a person of great influence. If you could start a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂 I have already begun a movement by bringing awareness and empathy though my work. My collaborators have mentioned that they have learned many things they did not know regarding politics, sociology, and anthropology of America and the world. I am helping create a voice for all-inclusive theater and film in the U.S.
Even still, most of these actors tend to be from India or other southeast Asian countries and not from Pakistan. Although Pakistan and India share some commonalities, their culture, language, human behaviors, and social etiquette make them distinctly different nations, which Hollywood has yet to present in its productions. This difference is not in contrast to those that the British and Americans have in terms of their anthropology. Countless people of color in the United States and a significant community of Pakistani immigrants in the United States have waited long to see themselves in Hollywood movies and television shows with a true representation. Franklin Livingston is ready to face this challenge, and that day is not far away when Franklin will tell stories about Pakistani Americans through his inimitable work in films and television.
Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that? I was in a meeting with my first TV commercial agents. They asked me if I was working on getting rid of my accent. They said that getting work without having a native sounding American vernacular is impossible. I laughed to myself and replied bluntly that I don’t believe I could ever eliminate my accent and that local people tend to search for a foreign accent when they need a medical specialist or a cosmetic surgeon in Beverly Hills. I think it’s only the Media, the formula, and the system that believes that actors shouldn’t have their native accents if they wanted to play leads in the local projects. Upon seeing their facial expressions, I realized my honesty was a mistake.
With possibilities comes challenges: Like many people who have been affected by the pandemic, Franklin is no exception. He mentions that during quarantine, he developed a couple of health conditions. He gained weight, became depressed, and started showing signs of aging. He, therefore, suggests an acting technique that supports the actors and can empathize with their emotional and cognitive state so they can have well-balanced lives. Franklin goes back and reflects on all the popular American acting schools and realizes that they affect actors emotionally or disrupt their mental well-being negatively. He mentioned it’s time for classic acting schools to revisit their curriculums and research why most actors who survive their training are introverts. They after two or three years of training, their actors end up becoming socially awkward, emotionally closed off, and distant from those community members who are not from the same professional backgrounds as them.