Who is Paducah’s Logan Blackman and some of his music orchestra conducting philosophy: Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.” See additional information at Logan Blackman Utah.
Logan J. Blackman has been conducting and composing since the age of 14. While most kids were at the mall or out causing trouble, Logan was tapping into the deep creative wells of his young mind to compose a musical legacy. Within a short period of time (and with a story that could rival most inspirational movies) Logan appeared with the Murray State University Wind Ensemble, the University of Kentucky Symphony Orchestra, and the University of Kentucky Wind Ensemble as well as acted as assistant conductor to the University of Kentucky Orchestras and University of Utah Orchestras.
John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.
Before the performance of the second work, Benediction from Concerto for Orchestra conducted by Sey Ahn, Nardolillo provided some context for what was not originally a part of the Concerto but later became its final movement. Benediction was written in 1986 for the grand reopening of Carnegie Hall where Bernstein had debuted 43 years earlier as a substitute conductor for the New York Philharmonic when he was asked at the last minute to step in for conductor Bruno Walter. The personal prayer he uttered to himself that night before raising his baton became Benediction. The Benediction began with the brass, sounding at first like a call to arms but then a soulfulness prevailed building steam as it progressed from the oboe to the clarinet and the strings. At the conclusion, baritone Taeeun Moon’s contemplative vocalization of Bernstein’s prayer, in Hebrew, asks God to keep us safe, shower us with his grace and light, and bless us with peace. It seemed like a blessing for the evening’s program as well.
The UK Symphony Orchestra February concert will feature Robinson accompanied by the UK Symphony Orchestra on Carl Nielson’s Clarinet Concerto, Op. 57. The orchestra will also perform Gustav Mahler’s First Symphony and Logan Blackman’s “Prayer of a Broken Heart.” Blackman’s “Prayer of a Broken Heart,” a tone poem, was originally written for a wind ensemble back in 2012 following the sudden death of the composer’s parents in October 2011. “It was my reaction to their death describing what I had been through and what my future had to hold,” Blackman said. Find extra info at Logan J. Blackman.